General Motors coins - General Motors
Roller Press Cent
The General Motors/Philadelphia Mint
Coin Roller Experiment John Roberts / 15 Nov 2003
Amid much fanfare, the new United States
Mint at Philadelphia was opened in a public ceremony on a summer afternoon
in August 1969. The star attraction drew international attention.
Rather than a Hollywood celebrity, this gala was centered on the unveiling
of the new coin roller. Developed by General Motors, the machine was
purported to be capable of producing 10,000 cent pieces per minute.
The Director of the Mint, Eva Adams, once called it the greatest
development in the art of minting that has been made in the past 2,000
years. Within several months, the project was scrapped and termed
a failure.
The birth, short life, and death of the project
form an interesting chapter in the study of mint technology. A private
movie screening attended by Mint officials and GM executives is
cited as the origin of the experiment. After watching the James
Bond movie Goldfinger, a discussion of the then current
coin shortage and the Mints difficulty with meeting production
demands was met with a can do response from the GM representatives.
Based on this informal oral agreement, the challenge of inventing
and producing a high-output minting machine was directed to the
Manufacturing Development Staff of the General Motors Technical
Center in Warren, Michigan. Within several months, in 1964, a working
prototype of a roll forming press was churning out test
pieces with the letters GM on one side and MD
on the other. This trial run is represented by only two known surviving
examples.
The drawing illustrates the basic concept of the
coin roller. (see diagram 1) This device used three rollers to cut
blanks and emboss the design. A copper alloy strip is drawn between
the upper and middle roller. The upper roller contained the blanking
punches while the middle roller held the obverse dies in recesses
mated to these punches. Blanks were cut and loaded onto the obverse
dies in a single motion. The middle roller then carried the blanks
to the contact point with the lower roller, which held the reverse
dies. Coining occurred as the dies slipped past each other; the
middle and lower roller surfaces traveled in opposite directions.
The newly minted coins were ejected from the middle roller by an
eccentric cam pushing against the backs of the obverse dies. The
coin roller, from its earliest conception, was designed to carry
multiple interchangeable dies.
The production version of this machine had two roll
forming presses working on a single five-inch wide copper alloy
strip. This arrangement allowed the blanks to be cut in an offset
pattern and reduced waste. The published accounts of the machine
differ as to the number of dies per press, but based on the control
numbers found on the most commonly encountered pattern pieces and
the work to be performed, a reasonable estimate can be made. Whether
detailed records of the layout and design of the machine still exist
is unknown. No record of this innovative mechanism could be found
in the U.S. Patent and Trademark Office. When contacted about the
project, a GM representative replied, We researched the information
that you requested and have been unable to come up with an appropriate
answer using the resources available. In a Coin World article
by Eric Larson published May 29, 1995, several retired Tech Center
employees were interviewed regarding the project. None of the GM
technicians could recall an exact number of dies, but most put the
number at 72 for the system. The most likely configuration, based
on the available evidence, is that the rollers were fitted with
eighteen dies each, six rows set three wide. (see photo 4) One full
rotation of one press would produce eighteen coins. Together, the
two presses would have needed to run at about 280 rpm to yield the
desired 10,000 pieces per minute. At this rate, Director Adams testified
before Congress, they come out just like water.
Several different designs are known from dies produced
by the Philadelphia Mint. The first design is the GM/MD type mentioned
earlier. The second type appears to be a modification of existing
cent obverse dies. These dies had the Lincoln portrait from the
one cent piece with the legends and date removed and a sandblasted
finish for the obverse and MANUFACTURING DEVELOPMENT STAFF
on the reverse. Two reverse varieties are known. Examples from this
issue are now listed in United States Patterns and Related Issues
as Pollock 4055 and (post-publication) 4056. The third and most
commonly encountered variety is called the Lady Head
type, listed as Pollock 4060. This design features fantasy legends
as well as the female portrait facing left. (see photo 1) Hand engraved
die control numbers flank her image on most known examples. The
letters L, M, or R representing
the row positions left, middle, or right are found in the field
to the right of the portrait. To the left of the portrait, a number
1through 6 can be found, designating which column the die was located
within. Some examples also display a symbol believed to designate
whether they were produced by the first or by the second press.
It has never been common practice for the U.S. Mint
to supply dies to private contractors. Prior to this project, it
had only been done once before, during World War II. Responding
to a question posed by Larson, former U.S. Mint Chief Engraver Frank
Gasparro said, I did engrave all the dies. They were designed
to strike experimental or trial coins, because it is illegal to
strike official U.S. coins outside of the Mint. In response
to a follow up question, Gasparro reiterated, All those for
the GM project, I made. In addition to the patterns, the coin
roller produced Lincoln Cents. Hundreds of onlookers witnessed the
machine in action at the Mints unveiling ceremony on August
14th. Published reports also mention a twenty-day trial run at the
Philadelphia facility prior to the official opening. 119 million
1969 dated cents were minted by the roller at this time. Whether
any of these coins were ever released into circulation or if they
are distinguishable from the other cents produced by the Mints
other coining presses are questions that remain unanswered to this
day.
The project was terminated in December of 1969 after
five years of development and placement of an order for a second
machine. The coin roller apparently never worked as well as expected.
Dies wore out much faster than anticipated, and the entire system
had to be shut down to change single dies. Other mechanical issues
were also cited, but they seem to relate to the dies and their operation.
In the announcement of the projects cancellation the Assistant
Secretary of the Treasury, Eugene T. Rossides, stated short
die tool life and other mechanical problems make the coin roller
uneconomical. The machine was replaced by several knuckle
joint presses fitted to strike four coins per stroke, a process
developed in the Denver Mint.
What went wrong? What caused the excessive die wear
and breakage? Was the project doomed to failure from the start?
The concept of a coin roller is actually centuries
old. Water powered roller presses were used at a number of European
mints from about 1550-1750 until the adoption of the screw press.
One of the largest coins ever minted, Spains cincuentin (50
reals) silver piece, was produced by rolling. It is a true giant,
measuring 76 millimeters in diameter. In terms of surface area,
it is four times the size of a silver dollar. (see photo 3) Die
wear on this type of press was not the issue that it was with the
GM machine. The Renaissance and GM machine designs differ in three
important respects.
Issue 1 Die faces
The machines of old used cylindrical dies with the design cut into
the roller face. This meant the die face was convex. As metal passed
through the rolls, only the small portion between the rolls was
coined at any given moment. (see photo 2) Less area requires less
force. A number of these older dies survive and show remarkable
preservation on their coining surfaces. The GM press used modular
die inserts and it can be deduced that they had flat surfaces. These
dies were reported to be relatively thin blocks, only about .75
inches (2 cm) in thickness or roughly equal to the diameter of the
cent. One of the technicians interviewed referred to a knuckle
fitted to the reverse dies to bring them into parallel register
with the obverse at the moment of striking. Two convex surfaces
do not need an external pivot to maintain contact through a minor
arc. Two flat surfaces require it. Without such a pivot, the leading
and trailing edges contact sharply, while the centers barely touch.
This is not an ideal arrangement for coining. Larson spoke with
another former project employee about the Lincoln Head
dies that were used during several of the trial runs. The former
Tech center employee was quoted, We thought they were made
from used Lincoln Cent dies. Such dies have flat surfaces.
The roller presses of the European Renaissance employed
another feature not found on the latter device. The dies performed
additional coining on the waste portion of the strip. Small divots,
or diamond shapes, are found outside the main impressions on all
but the earliest roller dies. These dimples served an
important function. They dissipated the force of the press near
the edges of the coining. Die pressure had to be set to raise detail
through the central part of the design, but the amount of force
needed to raise the outer portions of the design was considerably
smaller. Again, less area requires less force. However, a careful
balance between the central and outer elements of the work had to
be maintained. Without this balance, a roller press will perform
the function it is most often used for; it will crush and stretch
metal. (see diagram 2) When the mint masters switched to the screw
press in the later part of the 18th century, they did not discard
their roller presses. They replaced the dies with smooth faced rollers
and used the machines to produce the strips that planchets could
be cut from. Roller presses are still employed in this function
to this day.
Issue 2 Axis of rotation
Tech Center employees provided Larson with drawings of the basic
design of the GM coin roller. Their drawings specifically illustrate
the two rolls that carried the dies were set with the same axis
of rotation. This meant the obverse and reverse dies would travel
in opposite directions across the blank. Such an arrangement does
not push work through the rolls. A number of people involved in
the project repeatedly referred to concerns about elongation of
the coins as an effect of the rolling process. Setting the dies
to travel in opposing directions mechanically negates this effect.
Unfortunately, this also produces a great deal of friction and heat.
Worse still, it creates both a radial and a lateral force across
the die face. The roller presses of the 1550-1750 era, as well as
the blanking press on the upper half of the GM machine had their
rolls set to rotate in opposite directions. Because they were set
on opposite sides of the strip, their faces moved in the same direction.
The blank cutting portion of the GM machine is said to have performed
well. One course of action considered when the project was about
to be cancelled was to convert the coin roller into a blanking press.
Issue 3 Order of operations
A major difference between the two designs is the sequence of events
in the coining operation. The GM press cut its blanks and carried
them to the coining chamber. While not performed by a single machine,
this is the way coins have been produced for several hundred years.
The older machine produced coins from metal strips instead of round
blanks. This helped limit the amount of elongation of the coins,
although it still was a concern. The strip acted much like a retaining
collar, although some distortion was still present. The careful
balancing of the coin design and the dimples on the
strip also helped limit elongation. The die force was expended to
raise the metal instead of stretching it. Designs of larger diameters
also frequently employed dies that were deliberately distorted in
the vertical direction. Slight elongation in the horizontal dimension
would yield a round coin. Running a round blank through a roller
press without a retaining collar will produce an elongated oval
product. Today, roller presses of this type are frequently encountered
at tourist destinations. A small child turning a hard crank can
easily make one of these souvenir coins. (see photo5)
GMs design had the obverse dies recessed in the cup
or female portion of the blanking press and this feature doubled
(by design) as a retaining collar during coining. In fact, the European
design is somewhat unique for producing the coin first, then cutting
it free. The coins were freed of the strip by a hand-operated punch
press, or for the larger issues, by giant scissors. References to
coins with knife-edges that were capable of cutting
fingers can be found in writings of the period. Examples of strips
with several coins together generate a great deal of interest and
require some explanation to those not familiar with roller presses.
(See photo 7) While this exact method is hardly suitable for a modern
mint, its concept worked in its time. The issue of elongation had
been largely resolved by the techniques described, but coins produced
by these presses had a tendency to be curved or bent
and would not stack well. The combination of blank cutting and coining
in a single machine is the greatest mechanical variant from the
older design. It utilizes three rolls instead of two. By all accounts,
the blanking portion of the GM press was a technological marvel.
Fatal flaws
That the project died is a historical fact. The causes of the failure
have been debated repeatedly, but they all seem to focus on the
dies and the way they were used in the press. There are other factors
to consider as significantly contributing to a failure at the conceptual
level.
The ability to use interchangeable dies has been
a requirement of mechanical coining presses since their inception.
The GM press was no exception. It was designed to accept dies produced
by the Mint through conventional methods. However, this design fails
to capitalize on the basic mechanical advantage of a roller die.
The advantage is gained by coining only a small portion of the work
at a given instant. Such a device would require die cylinders rather
than individual flat dies. The Philadelphia Mint would have needed
to use a completely different method of die production. In theory,
a flat working hub could have a blank cylinder rolled across its
surface a number of times until the desired number of impressions
had satisfactory detail. A variation of this method has been used
by the Bureau of Engraving and Printing to produce plates that print
embossed currency for decades. Whether the methods of producing
paper currency can be applied to coinage is a study unto itself.
It is interesting to note that during the two hundred
year period that coin rollers were in use, die manufacturing was
one of their major drawbacks. The die cylinders were engraved individually
by hand, each impression on each die. (see photo 6) A transfer lathe
capable of such work had not yet been invented. The cylinders were
also not particularly well suited to reproduction by punches. This
method was experimented with, but only a few small diameter issues
were successfully produced. When one portion of a die wore out the
entire die had to be discarded, or the coins from the bad
die had to be picked out of the mintage and re-melted. The greater
ease of die production for the screw press was the main reason it
won out. The practice of manufacturing dies for a screw press through
the use of punches was well established at the time the last roller
press was retired from coining duties around 1756. The further development
of multiplying dies through use of a hub, which can be done quite
effectively on a screw press, reinforced the preeminence of the
machine in latter years. The screw press and the roller press were
invented within a few years of each other, although the exact dates
and inventors are the subject of debate. From the early decades
of the 16th century, prototypes of both devices are known. Roller
presses were considered state of the art machines. The
mints that employed them represent the first truly mechanized factories
in human history. By contrast, the screw press was bitterly opposed
by the moneyers that produced hammered coinage. Several
nations, France in particular, briefly abandoned the screw press
in favor of hammered coining to placate the concerns of its mint
labor force. Some nations never used the roller press to coin. For
those that did, it took two hundred years of refinements of the
screw press and its applications to supplant the last roller press
used for coining.
Cutting the blanks prior to minting was a departure
from the historically proven method of producing coinage on a roller
press. Working on pieces, rather than a strip, prevented the established
methods of controlling elongation from being employed by GMs
machine. Instead, the lower rollers had to be set to work against
each other. While this solved the elongation problem, as we have
seen, it destroyed dies at an alarming rate. Abandoning the three
roll design and cutting blanks first in favor of multi-staging these
operations within a system of machines may have worked better. The
GM roller was already designed as a system rather than a single
unit.
Freeing the coins from the strip after minting is
a challenge. In the 18th century, the roller press design was replaced
both by the screw press and the basic order of minting operations
still in use today. Specifically, the new process prepared planchets
for coining. Blanks were cut, and then examined for defects. In
the past, those of precious metal were weighed individually and
adjusted or rejected. Acceptable blanks were then passed through
an upsetting mill, where the rims were formed around the edge. At
the completion of this step, by definition, the blanks were now
planchets. The planchets were then annealed (softened by controlled
heating and cooling) and cleaned prior to minting. Both roller presses
skipped the planchet making steps prior to coining. Director Adams
once stated that the upsetting step was performed after coining
in the GM system. Without the development of a machine that could
cut the coins free without damaging or significantly distorting
the newly minted surfaces; the coin roller seems of little use outside
of a museum environment. This was another issue that was raised
in the debate to replace the roller press with the screw press in
the 18th century. It is still unresolved.
Perhaps one day some industrious person or corporation
will invent a coining system that marries the best features of both
designs: Interchangeable die cylinders with additional coining on
the strip, straightening, rotary blanking punches, and integrated
upsetting. The staggered nature of the GM system was a definite
advantage. It allowed for a more efficient utilization of material
with a minimum of waste. A careful review of the order of operations
and how it affects the finished product as well as the durability
of the machine is an absolute requirement for a viable system.
In retrospect, the Mint and GM had little chance
of success. They do not appear to have been cognizant of the roller
presses of the past, they certainly did not attempt to incorporate
their strengths. No indication of any study of the Renaissance designs
is mentioned in any of the published accounts or interviews on the
subject. It is understandable on the part of the General Motors
executives and their Tech Center staff; their field of expertise
is automotive manufacturing. A study of machines developed in the
16th century would be far outside their practical experience. But
what of the Mint? The engraving department is not asked to perform
historical studies of coining processes. They are asked to make
tools for specific purposes. Whether Mr. Gasparro or his staff raised
concerns about the nature of the dies he was directed to prepare
may never be known. Even if the department had conceived of a process
to produce die cylinders, they would not have been permitted to
make a machine of this nature without authorization. The senior
staff of the office of the Director of the Mint is charged with
the duty of oversight of the nations coinage and coin production.
It is their job to understand the minting process. A study of the
history of minting technology would seem to be a prerequisite to
the effective discharge of their duties. Director Eva Adams
comments, particularly the greatest development in the art
of minting statement, reflect a lack of historical perspective.
There is a well-known admonition regarding a doom of repetition
for failing to study history. The coin roller was not so fortunate,
had history repeated itself, a practical machine may have emerged.
This project failed to capitalize on a wealth of experience. Those
who fail to study history cannot learn from it.
Do you own any of these roller
press coins? Would you like to sell? Tom Pilitowski is very interested
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