Notes:
The finest 1794 Half Dollar graded by PCGS is a single MS-64.
Significant examples:
See individual varieties
Recent appearances:
See individual varieties
Sources and/or recommended reading:
"Early Half Dollar Die Varieties 1794-1836", Third Edition, by Al C. Overton and Don Parsley
"Walter Breen's Complete Encyclopedia of U.S. and Colonial Coins" by Walter Breen
"The PCGS Population Report, July 2004" by The Professional Coin Grading Service
SCOT'S FLOWING HAIR DESIGN
(1794-95)
As the Chief Coiner,
Henry Voigt, and the Assayer, Albion Cox, could not
post the 510,000 surety bonds required for tak¬ing
office (or rather for handling gold and silver bullion),
only copper coins were made during 1793. On Dec. 10,
1793, Thomas Jefferson wrote to Pres. Washington recommending
that bonds be reduced to a figure these officers could
manage. Washington persuaded Congress to comply (Act
of March 3, 1794), and at once local banks began depositing
silver. Before this could be coined, the new Mint
Engraver, Robert Scot, had to complete device punches
and working dies. With Adam Eckfeldt's help, Scot
produced an oversimplified copy of the cent head for
the half dollars, and a stylized eagle punch for their
revs. Individual numeral, letter, star, and leaf punches
(with some hand finishing) served to complete the
designs.
On Oct. 15, 1794,
Voigt delivered 5,300 half dollars, followed by 18,164
more on Feb. 4, 1795, from 1794-dated dies: five pairs
in 10 combinations, one of them a new discovery (4551),
only one (ill. at 4552) not rare. Survivors are mostly
well worn; col¬lectors were very few, and the
general public remained slow to squirrel away choice
ones.
During the remainder
of spring and summer 1795, half-dollar coinage continued
from 1795-dated dies [299,680], from 19 obv. and 22
or 23 rev. dies, the first rev. left over from 1794.
Several slightly differing head- and eagle-device
punches were used dur¬ing the year, the final
ones attributed to John Smith Gardner, briefly Assistant
Engraver: the famous and rare Small Heads. These are
associated with four Heavy Wreath revs, showing a
small dot in lower field between ribbons; this is
thought to be Gardner's "signature," to
tell his dies from Scot's. The Double Date and Three
Leaves coins belong with this group, evidently at
the end of the mintage, summer 1795.
Coinage was interrupted
to allow personnel to devote time to making silver
dollars and gold coins, on orders of the new Mint
Director, Henry William DeSaussure.
The vars. in this series (without or with die blunders)
are nearly as individualized and distinctive as their
cherished coun¬terparts in the cents, but they
have long remained neglected owing to lack of a reference
work in a class with Sheldon {1958} on cents. Even
Overton {1970} is unsatisfactory: It lacks ills, of
three obv. and five rev. dies, lacks a rational de¬scriptive
system, lacks an emission sequence, and (perhaps worst)
its illustrations obscure many distinctive features.
Re¬search is continuing on this series, and we
may eventually ex¬pect a definitive text from
the Bust Half Nut Club (BHNC), which has already published
a supplement illustrating new discoveries.
What look like file
marks on many specimens, even in mint state,
are adjustment marks. Adjusters (including the first
women hired by the Mint) wore leather aprons and sat
with metal files. As the Weighers checked each newly
cut blank, the lightweight ones were returned to the
Melter and Refiner, those within legal tolerances
went to the Chief Coiner, and heavier ones went to
the Adjusters, who gave them a stroke or two (more
if necessary after reweighing), to reduce weights
to legal limits. Periodically, the contents of their
leather aprons went to the Melter and Refiner. Adjustment
marks, accordingly, are not counted as impairments,
as they preceded stamping designs into the planchets.
Note ills, of 4550, 4556.
Irregularities at rims (as on ills, of 4553, 4556)
are from the machine used for lettering edges; these
also are not counted as impairments, but they must
be carefully distinguished from rim dents.
SCOT'S FLOWING
HAIR DESIGN
Designer, Robert Scot.
Engravers, Scot and John Smith Gardner. Mint, Philadelphia.
Diameter, approx. 20.5/16" = 32.5 mm. Edge, FIFTY
CENTS OR HALF A DOLLAR (varying ornamentation between
words: circles, rectangles, stars). Weight standard,
208 grs. — 13.48 gms. Composition, 892.43+ Fine
silver, 107.56+ Fine copper (1,485/1,664). Au¬thorizing
Act, April 2, 1792.
Grade range. POOR to UNC. GOOD: Date and all letters
legi¬ble; devices outlined. VERY GOOD: Few hair
and feather details. FINE: Details at ends of curls
distinguishable; some hair details clear behind ribbon;
partial feather and leaf details. VERY FINE: Some
detail in central hair; demarcation between hair and
neck and cheek (but not temple) visible; most wing
feathers intact, breast feathers partly fiat- EXTREMELY
FINE: Almost all hair details; isolated tiny rubbed
spots only.
4550 1794 Lowest curl at second star. [5,300] Very
rare. Delivered Oct. 15, 1794. Overton 105, 106, 108
= Hilt 3C, 3D, 5D. Usually in low grades.
1794 Same, looped
shoulder truncation. Unique? BHNC 109 - Hilt 2C.
Loop is as in 1795 Small Heads, whence Hilt attributes
this obv. to Gardner. Discovered by Robert Hilt,
11/8/76.
1794 Lowest curl
at first star. Delivered Feb. 4, 1795. Ov. 107,
101-4, BHNC 110 = Hilt 4D, 6D, 6E, 1A, 1B, new var.
Price for Ov. 101 (ill.), with crack from rim to
wreath between D S; others are all very rare, BHNC
110 unique (long crack, from rim through D, wing,
and head to rim between F A).